Friday, November 06, 2009

Vladimir Grigoryevich Tretchikoff

Hi to all , I had to do a post on this artist... I was mesmerized by his vision.. Hubby found this vintage print at a yard sale. So I had to research the artist.. How interesting of a journey it was.. Title;

Chinese Girl


Vladimir Grigoryevich Tretchikoff

1913-2006


Although Tretchikoff spent his early years in China, this portrait was painted in Cape Town. The model is a member of the small Chinese community there. Possibly the best known of all Tretchikoff's paintings. Lithographs of this painting can be seen in all corners of the world. Artist’s Collection, 1950’s First Hand Tretchikoff Print. This print has been produced to the highest quality under the artist’s personal supervision and is accompanied by a signed Certificate of Authentication.


To know his work is to understand an artist who became a phenomenon. A man who never compromised because he was being lead by an all-encompassing drive to do what he loved, to paint. Even in the face of adversity, he continued to pursue his passion, unashamedly.


Tretchikoff was a self-taught artist who painted realistic figures, portraits, still life and animals, with subjects often inspired by his early life in China and Malaysia, and later life in South Africa. Tretchikoff's work was immensely popular with the general public, but is often seen by art critics as the epitome of kitsch (indeed, he was nicknamed the "King of Kitsch"). He worked in oil, watercolour, ink, charcoal and pencil but is best known for his reproduction prints which sold worldwide in huge numbers. The reproductions were so popular that it was said Tretchikoff was second only to Picasso in his popularity

He quickly became famous in South Africa thanks to a book that collected his portraits of Oriental women and pictures of flowers, and held successful exhibitions in Cape Town and Johannesburg. His fame spread to the United States, where the Rosicrucians of San Jose invited him to launch an American tour. Around 19,000 people saw his show in Los Angeles and 51,000 in San Francisco. In Seattle, a rival show which included Picasso and Rothko sold fewer tickets, to Tretchikoff’s satisfaction. A million Americans finally saw his paintings, which then went on to Canada with equal success. This was followed by a large exhibition in 1961 at Harrods in London where he decided that the Harrod's art gallery was too small. He requested and was granted the privilege of having his exhibition in the ground-floor exhibition space. About 205,000[3] people attended the exhibition and one of his British admirers, Leslie Rigall, bought ten paintings and designed his new house in Windsor Great Park around them.

His famous Chinese Girl, a 1950 painting featuring an Eastern model with blue-green skin, is one of the best selling prints of all time. Prints of the painting became widespread during the 1960s and 1970s, and the painting was featured in various plays and television programmes: the original set of Alfie, with a drawn moustache in one episode of Monty Python's Flying Circus and an episode of Doctor Who.

Other popular paintings of oriental figures were Miss Wong and Balinese Girl. He said of British prima ballerina assoluta, Alicia Markova, who sat for The Dying Swan, that she was his most stimulating sitter.

Sunday, November 01, 2009

The treats and things that glow in the night


Hi to all, Well with the moon was almost full. Samhain was truly a beautiful eve... A bit of rain but not much, the moon played tag with the clouds and made for a wonderful evening... No ghost hunting... But I will on the full moon...
Sparkling sugar cookies..
Bee


























Friday, October 30, 2009

Blessed be to all this Samhain




"Hallowed Evening"



The moons a-glow, with golden rings.
The night is still, but the raven’s wing.
The winds are chilled in the quest of spring.
The cauldron swells with fog to mark twilight.
Let the balefires burn in celebration this Samhain night.

By BeeCharmer Oct 2009




Classic Horror Movies




Hi to all, I am doing a tribute to the classic horror film in this blog entry.



Four of "MY" favorites anyway..




Do you remember these...??











Creature from the Black Lagoon;
Release date ; 5 March 1954
Director: Jack Arnold



Plot; A scientific expedition traveling up the Amazon River encounter a dangerous humanoid amphibious fish creature



Richard Denning ... Dr. Mark Williams

Richard Carlson ... Dr. David Reed

Julie Adams ... Kay Lawrence (as Julia Adams)

Antonio Moreno ... Carl Maia

Nestor Paiva ... Captain Lucas

Whit Bissell ... Dr. Edwin Thompson





THEM;

Director: Gordon Douglas
19 June 1954
Nominated for Oscar

Plot ; The earliest atomic tests in New Mexico cause common ants to mutate into giant man-eating monsters that threaten civilization.


James Whitmore ... Ben Peterson, Edmund Gwenn, Joan Weldon ... James Arness ... Robert Graham, Onslow Stevens ... Sean McClory ... Chris Drake ... Sandy Descher ... Mary Alan Hokanson ... Don Shelton ... Fess Parker












Bride of Frankenstein;
Director: James Whale

Release Date ; 22 April 1935

Plot; Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein (goaded by an even madder scientist) builds his monster a mate.


Boris Karloff; the monster

Elsa Lanchester; the bride












The Invisable Man;

Director:James Whale

H.G. Wells (novel)
A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.

Claude rains; The Invisable man

Gloria Stuart; Flora Cranley

Thursday, October 29, 2009

Crows & Ravens




The Raven, is a bird which appears in world mythology as a soothsayer, an omen of death and as a creator and cleanser, taking away all that was decayed. Full of intelligence, cunning, and playfulness, the Raven was seen as a guardian among the tribes of North America, a creature whose far-seeing eye saw past, present, and future all at once. For the Algonquin peoples, Crow was the bringer of grains and beans. In the Ghost Dances, which are danced to solicit the help of their ancestors, Crow is a primary spirit messenger.Ravens & Crows have an intricate and detailed history in Celtic lore and legend. The Irish battle goddesses, Morrigan, and Badbh, regularly took the shape of crows, and both crows and ravens were their allies and companions.



In Scottish folklore, the Crow is said to have 27 different cries (a magical 3 times 9), each of which relates to a different event. These oracular cries can foretell the coming of important guests, an impending loss or death, or the coming of good fortune, a complete body of lore was built up from listening to the varied calls of the crows, which has the ability to mimic many kinds of sounds as well as to communicate with its own kind. When there is a molmacha (flock of crows), all crying together, it is said that no one but the most wise seer in the land can understand their words.



The raven is also the subject of a most famous poem that has lived through the ages..



The Raven
Poem by Edgar Allen Poe (1845)



Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door;-
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, "other friends have flown
before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'."
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil!- prophet still, if bird or
devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign in parting, bird or fiend," I shrieked,
upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!




Wednesday, October 28, 2009

Halloween Decorations


Hi to All, Well the decorations are up up an shinning in the night.. Capt. Jack is twirling in the breeze... My pumpkin crop await their speeedy change to Jack-o-lanterns .... All that is left is a few table decorations and I am ready for the special night.. Hoping for a bon fire this year --> Weather permitting??? Been really wet and windy here at Ravenswood..













Monday, October 26, 2009

Samhain Treats


Well here is somethingto put in your cauldron's to cook up for the festivities on Samhain..


Although there's no eye of nute, werewolf hair, or vampire teeth, needless to say these are a couple of my favorites for the special night.. I may have posted one or two of these before, but I really like these recipes--> they were easy and good ....
Please enjoy
BEE- Witchen Bee


Spirited Cheese Stuffed Apples

1- 3oz package softened cream cheese
4 medium apples
1 1/3oz Cheddar Cheese( finely shredded)
1 tablespoon dry white wine

Beat together both cheeses and the wine, with an electric or rotary mixer, until smooth. Core the apples and hollow out, leaving apple shells about 1/2 inch thick. Fill the apples with the cheese mixture and refrigerate for 2-3 hours. Cut apples into 8 wedges.


Jack-o-Lantern Cheese Ball

2 c. shredded cheddar cheese
4 oz. package cream cheese, softened
1/4 c. solid pack pumpkin
1/2 c. pineapple preserves
1/4 tsp. ground allspice
1/4 tsp. ground nutmeg
1 pretzel rod, broken in half

Decorations: Dark rye bread, red pepper, black olive slices, parsley sprigs
Assorted crackers
Beat cheeses, pumpkin, preserves and spices in a medium bowl until smooth. Cover; refrigerate 2 to 3 hours or until cheese is firm enough to shape. Shape mixture into a round pumpkin; place on serving plate. Using knife, score vertical lines down pumpkin. Place pretzel rod in top for stem. Cut 2 small triangles for the eyes. Small triangle of red pepper for nose. Slice olives slices in half for the mouth. Cover loosely; refrigerate until serving time. Serve with crackers.


Mulled wine

(Want to make this a kid's Halloween recipe for the kiddos at your party? Skip the sugar and replace the wine with the same amount of apple cider. )

Ingredients:

1/2 C. water
1/2 C. granulated sugar
2 cloves
2 cinnamon sticks
1 orange, peel and juice
1 bottle (750 mL) dry red wine
Instructions:
1. in a pot (or crockpot) combine the water, sugar, cinnamon, cloves, and orange juice.
2. Simmer 2-3 minutes.
3. Add the orange peel and wine.
4. Let sit warming over low heat at least 30 minutes before serving.
5. Don't allow it to boil or you'll cook the alcohol away.
6. Serve in warm mugs, garnished with a cinnamon stick and orange slice, if desired.

Remembrance Cookies


These cookies can be made on Hallow's Eve. They can be shaped like people and the herb rosemary is added to the dough as a symbol of remembrance. Some of the cookies are eaten while telling stories or attributes of special ancestors, reminding us that we still have access to their strengths--or perhaps a predisposition to their weaknesses. The rest of the cookies are left outside by a bonfire as an offering. This can be a solemn ritual, but it need not be.


Ingredients for the cookies:


1 1/2 c. powdered sugar
1 c. butter or margarine (softened)
1 egg
2 t. vanilla
1 t. almond extract
2 1/2 c. all purpose flour
1 t. baking soda
1 t. cream of tartar
1 1/2 T. chopped rosemary

Heat oven 375 degrees. In a large bowl, beat sugar, butter, egg, vanilla, almond extract, and rosemary until creamy. In a separate bowl, sift flour, baking soda, and cream of tartar. Fold flour mixture into sugar mixture. Beat until dough forms and refrigerate for three hours. Divide dough into halves. Roll out one portion to 3/16 of an inch on a floured surface. Cut out with gingerbread women or men cutters and place on an ungreased cookie sheet. Repeat rolling and cutting with second portion. Bake for 5-7 minutes.


PUMPKIN GINGER SOUP

Ingredients:

1 small cooking pumpkin
1/2 cup cashews
1 tablespoon grated fresh ginger (or to taste)
Salt to taste
Directions:
Soak cashews in water to cover for several hours. This step is optional, but helps them blend better. Cut pumpkin in half, remove seeds, and bake cut side down at 350 degrees F until very tender (45 minutes to one hour). Scrape pumpkin from the peel and puree in a blender, with any juices, in batches. Put pureed pumpkin into your soup pot. Blend cashews in blender until smooth and add to the pumpkin puree. Rinse the blender with a little water and add to the pot. Add a little more water if it’s too thick. Add ginger and salt to taste and heat gently for a few minutes to blend the flavors.


Savory Samhain Butters
Autumn Butter

1/4 cup firmly packed brown sugar
1 tsp pumpkin pie spice
1/4 cup whipping cream1 cup butter, softened

Mix all ingredients until well blended. Spread onto your favorite muffins, quick bread, sweet crackers, or drop a dollop onto morning pancakes.

Cinnamon Butter

2 sticks butter1/2 cup brown sugar1 tsp cinnamon
Combine all ingredients and mix well. Serve over sweet bread, muffins, or morning waffles. Store tightly covered in the refrigerator.
Pumpkin Pie Spice Butter

4 tbsp (1/2 stick) unsalted butter, softened
4 tbsp canned pumpkin puree
1 tsp brown sugar
1 tsp cinnamon
1/8 tsp ground cloves
1/8 tsp ground ginger
1/8 tsp freshly grated or dried nutmeg
1/8 tsp salt
Combine all ingredients and mix well. Keep tightly covered in the refrigerator up to three weeks.
* 1/2 teaspoon of pumpkin pie spice can be substituted for cloves, ginger and nutmeg.


Creativity bread..
1 cup white flour
1 cup whole wheat flour
1 tsp. cinnamon
1 tsp. allspice
1 beaten egg
1/2 cup applesauce
3 tbsp. oil
1/2 cup maple syrup
1 cup raisins
1 cup finely chopped hazelnuts
Mix all ingredients together. Bake in a 350° oven
for forty five to fifty minutes or until a toothpick
inserted in the middle of the loaf comes clean.


Golden Herb Rolls

2/3 cup milk
1/2 cup (1 stick) butter or margarine
1/4 cup water
4 cups all-purpose flour, divided
1/3 cup granulated sugar
1 package quick-rising yeast
2 teaspoons dried savory leaves, crushed
1 teaspoon salt
3/4 teaspoon dried thyme leaves, crushed
1/2 teaspoon dried dill weed, crushed
1 cup canned pumpkin4
eggs, divided
2 tablespoons sesame seeds

Preheat oven to 350 degrees F. Grease 20 to 24 muffin cups.

Combine milk, butter and water in small saucepan; heat until butter is melted. If necessary, cool to 120º F. to 130º F. Combine 3 cups flour, sugar, yeast, savory, salt, thyme and dill in large mixer bowl. Add milk mixture and pumpkin; beat for 2 minutes. Stir in 3 eggs and remaining flour. Cover; let rise in warm, draft-free place for 10 minutes or until doubled. Spoon into prepared muffin cups, filling 1/2 to 3/4 full. Cover; let rise in warm, draft-free place for 30 to 40 minutes or until doubled. Beat remaining egg and brush on top of rolls; sprinkle with sesame seeds. Bake for 30 to 40 minutes or until rolls are golden and sound hollow when tapped. Remove from pans; serve warm or cool on wire rack.

Sunday, October 25, 2009

The Cauldron



"The cauldron or pot symbolizes cyclical time and the lunar calendar.This is because the cauldron represents the womb of rebirth. It has been called Soma by the Hindus, Red Claret by the Celts, and Greal by the Welsh Bards.
The Goddess and her cauldron is the center of all feminine power and every female group. Spiritual transformation can only come through Her cauldron, or belly-womb. Ancient tradition says that only women can tap into the great power of the cauldron, for only women are made in the image of the Goddess with her all-renewing womb of rebirth and transformation. This tradition remains in the figure of the witch and her cauldron. The cauldron is also the repository of inspiration and magic, as seen in Cerridwen's cauldron which was sought by the Bards. The Goddess has long been considered to be the source of inspiration and the Mistress of Magic. When a true initiation takes place, the initiate willingly descends into the cauldron, she is often filled with ecstatic emotions when she returns to her present state. She may sing, play music, dance, prophesy, see visions, or become creative in poetry and prose. In short, she is filled with Goddess spirit and inspiration, the type of power that only comes from the sacred cauldron. Such Bards as Taliesin stated that they regularly "drank"from the cauldron to promote their creativity and divine inspiration.
Sparkling Cauldron's
B.